by Eliza Rosenberry
Despite Bertrand Bonello's regular invitations to present his controversial films at Cannes (first in 2001 with The Pornographer, then in 2003 for Tiresia and again in 2005 with a short film), he has remained consistently unembraced by international audiences. This year, he is invited again to present his new film, L'apollonide (translated as House of Tolerance). This piece is a profile of Bonello's previous work in preparation for Cannes 2011.
